songs with the words rock and roll in the title

But while the leading lights of rock music’s early 70s contingent would continue to expand their horizons, things usually came back to a core type: Great songs about the fragility of human relationships.

Blue Sky” borrowed liberally from classical and opera. Queen’s “Bohemian Rhapsody” and Electric Light Orchestra’s “Mr. As the decade progressed, however, rock ‘n’ roll began to see more and more influences seep in. It’s kind of hard to believe, but rock was nearly two decades old by the time the 70s rolled around, which meant that things had come a long way from “Rocket 88.” The elements that made it great, however, remained much the same: Electric guitars and a love of the blues underpinned so much of what Eric Clapton, Janis Joplin, The Rolling Stones, and many others had to say. “Turn Out the Lights,” the title track from Baker’s incredible sophomore release from last year, showcases this better than anywhere else in her back catalogue the slow march to the octave-raised “BUT WHEN I TURN OUT THE LIIIIIIIIGHTS” refrain is a journey that rewards you with one of the most memorable screams in quite awhile, backed by a pitch perfect guitar build behind her that when all put together, makes the most unremarkable commutes and droll daily routines feel like the climax of a movie.Build your 70s music collection on vinyl with classic titles and under–the–radar favorites. But usually buried in the last quarter of many of her songs is a show-stopping, goosebump-inducing, life-affirming scream that makes you forget, if only for an instant, the brutally dismal lyrical content of the song in favor of an epic fist-pumping catharsis. Julien Baker makes some of the darkest, most vulnerably personal music in recent music memory-there’s a reason she was prominently featured in Paste’s list of the saddest songs of the 21st century. With a Clash-like spirit and contemporary pop-punk framework, Armstrong points to the conservative media’s (Fox News’) normalization of war and fear-mongering that led to the proliferation of American hysteria, idiocy and the empowerment of redneck, right-wing America. The concept album featured a punk-rock adolescent folk hero of sorts and was packed with hit singles like “Wake Me Up When September Ends,” “Holiday” and “Boulevard of Broken Dreams,” but none captured the boisterous energy of Billie Joe Armstrong’s vocals and deep-seated political scorn like the title track. Green Day were a defining band for a whole generation of kids in the ’00s, and their seventh studio album American Idiot became the rebellious punk-rock bible for many. Here are the 50 best title tracks of all time: In celebration of the mighty title track, Paste’s music staff compiled 50 of our favorite title tracks of all time, limiting ourselves to one song per artist. Not every album has a title track, but the ones that do often warrant deeper listening to see if the artist was trying to relay a message about the body of work they’ve created. Some title tracks have become the most defining songs of that particular artist’s career and some are under-appreciated deep cuts that have become cult favorites. Other times, they might glue a record together or serve as a thematic starting point for the artist. Title tracks often distill an album’s essence into one succinct, memorable song.

Songs with the words rock and roll in the title